![]() Salinger (1958), offer an analysis of Salinger that claims he is the first writer in Western fiction to present transcendental mysticism in a satiric mode, or simply to present religious ideas satirically. The characters’ minds struggle to make sense of the dichotomy between love and squalor, often reaching a quiet peace and transcending their situation through a small act.įrederick L. Each of these characters is metropolitan in outlook and situation and is introverted: Their battles are private wars of spirit, not outward conflicts with society. Some characters, such as the young, mixed-up Holden Caulfield, adopt indiscriminate love to aid them in their journey through the world of squalor, while others, such as Seymour Glass, achieve a sort of perfect love, or satori, and are destroyed, in Seymour’s case by a bullet through his head. Salinger’s (January 1, 1919 – January 27, 2010) characters are always extremely sensitive young people who are trapped between two dimensions of the world: love and “squalor.” The central problem in most of his fiction is not finding a bridge between these two worlds but bringing some sort of indiscriminate love into the world of squalor: to find a haven where love can triumph and flourish.
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